Frequently Asked Questions
Technical guidance for edition planning and preparation.
What resolution (DPI) do I need for a gallery-quality print?
For fine art inkjet, we recommend a native file resolution of 300 PPI (Pixels Per Inch) at the final print size. However, modern RIP (Raster Image Processor) software uses advanced interpolation algorithms. An exceptionally sharp, uncompressed file at 150-200 PPI can still yield stunning results on large formats.
What does "archival" actually mean?
In fine art printing, "archival" denotes materials that will not degrade, fade, or yellow under standard display conditions for several generations. This requires a combination of acid-free substrates, pigment-based inks (or stable dyes), and OBA-free papers. Our pigment prints are rated for 150+ years before noticeable fading occurs in typical gallery lighting.
Should I leave a border around my image?
Yes. A border serves two vital functions: First, it provides a safe handling area so curators and framers do not touch the printed surface. Second, it provides the necessary space for signing, numbering the edition, and attaching hinge mounts for archival matting.
Why do my prints look darker than my monitor?
Monitors emit light (additive color), while prints reflect light (subtractive color). An uncalibrated monitor is typically much brighter than a physical print under standard room lighting. We recommend calibrating your monitor to a luminance of 100-120 cd/m² for print preparation.